Find Nonprofits
HOPE ALIVE CLINIC MINISTRIES INC
Sharing the Love of Jesus through Evangelism, Nutrition, Medical and Dental Care, and Job Training.
Medford, New Jersey
I Am Dog Rescue Inc
I AM DOG RESCUE, INC is an all-volunteer, foster-based, no-kill, non-profit animal rescue organization based in North Texas. Our primary purpose is to assist homeless and unwanted dogs of all breeds and sizes by providing necessary health care and rehabilitation for them prior to adoption by a loving and responsible forever family. In our efforts, we work with the “rescue community” at large to educate people about the benefit of spay/neuter and the responsibilities and costs of pet ownership to decrease the number of homeless animals. Our volunteers are the life-blood of our mission!
Crossroads, Texas
Christians Against Poverty America
We exist to: Inspire and equip the church To release people trapped in poverty And make disciples in Jesus’ name
Lisle, Illinois
The Dharma Door USA
The Dharma Door is a leading source for contemporary fair trade and sustainable housewares and gifts. We offer high-quality handcrafted products made by talented artisans in developing countries.
Benicia, California
Boston Islamic Seminary
Making a difference in communities through dedicated service and impact.
Chelsea, MassachusettsGroundwire
Groundwire exists to strategically and effectively communicate the love, hope, and promises of Jesus to everyone in the Millennial and Z Generations.
CASTLE ROCK, Colorado
Project Hawai’i, Inc.
Our mission is to help homeless children succeed. Developing inter-active programs that create future leaders that end their cycle of poverty and homelessness
Keaau, Hawaii
Best Day Foundation, Inc.
Best Day Foundation enables children and young adults with special needs to build confidence and self-esteem through adventure activities which stretch their limits, expand their true potential, reinforce their achievement,
Watsonville, CaliforniaBless The Children Inc
Making a difference in communities through dedicated service and impact.
Clearwater, Florida
United Rock Divided Sand Madagascar Incorporated
To provide nutritional foods plus clean water for the Malagasy people.
East Hartford, Connecticut
Fire, Weather & Avalanche Center
To bring proprietary and user-friendly products, services, and information to the public—with an emphasis on the backcountry.
Island City, Oregon
Ankhlave Arts Alliance
Ankhlave Arts Alliance is a W.A.G.E. certified nonprofit, 501(c)(3) organization for the advancement of Black, Indigenous and People of Color (BIPOC) in the contemporary art realm. AnkhLave (that’s “Enclave” with an “Ankh”) is based in New York City, and produces annual programming including our AnkhLave Garden Project Fellowship, AnkhLave Curator Fellowship, and the Ankhlave Public Artist in Residence. We believe art is an ideal platform for the exchange of ideas and perspectives. Art allows people the opportunity to engage in conversations that can be difficult to confront, politically and socially, and opens the floor for conversations between people of diverse communities that may not have engaged otherwise. We believe art has the power to influence, change and even subvert culture in favor of more nuanced perspectives and for more equitable presence within the greater society. In keeping with our mission to facilitate exchange of ideas between and within marginalized communities, we seek to present programming beyond the traditional white-walled gallery space, and in alternative public spaces within BIPOC communities. One reason for this is to honor the legacy of many BIPOC people’s Indigenous heritage from around the world, which can include creative works that are sculpted, worn, performed in or displayed outdoors in nature. Spaces like botanical and community gardens are inclusive as it can be transformed into an unexpected exhibition space, inspiring wonder and curiosity when stumbled upon. Many communities within the BIPOC umbrella are polarized by the art establishment due to colonialism, with many of their homeland’s artworks taken and exhibited for non BIPOC audiences. In this sense, even their own people's work becomes othered to them. Moreover, art history has historically been authored through the European gaze, and omitted many experiences and viewpoints around the world. Contemporary art in recent history is becoming more inclusive, though many potential BIPOC audience members need more representation in order to feel included in the contemporary art conversation. We believe the best way to can elevate BIPOC voices and the communities they are representing is by bringing their artwork to the people, in a public space that is unexpected and accessible for maximum community engagement.
Bronx, New York